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Very rarely does a previously undiscovered, totally undocumented guitar from a lauded maker like John D'Angelico come to light, but that's exactly ...

This is an incredible piece of guitar history: a 1936 D'Angelico Excel, built by John D'Angelico himself. Like the later New Yorkers, the Excel fea...

A sweet and sultry jazzbox from 1940 built by the archtop master, John D'Angelico. The A-1 is a less ornate, earlier model in D'Angelico's design o...

This 1941 D'Angelico Special was purchased by its original owner, one Mr. Hayhurst, directly from John D'Angelico who built it for him. (See origin...

Adding to our collection of incredible D'Angelico guitars we're so excited to share, is this gorgeous 1949 New Yorker, and it's one of the most aco...

This is an incredible piece of guitar history: a 1950 D'Angelico New Yorker, built by John D'Angelico himself. The New Yorker features Art Deco st...

Here is an incredible example of guitar history- a 1957 D'Angelico New Yorker, built by John himself. A native New Yorker, John built guitars feat...

This blonde D'Angelico New Yorker from 1959 is a true jazz box. The 18" archtop is in pristine condition aside from a small, repaired top crack and...

This guitar was built by John D'Angelico in 1964 for an amazing working musician, one of the most recorded guitarists in history: Harold Bradley. T...

A gorgeous New Yorker from Jimmy D'Aquisto's period in Huntington, Long Island. His mentor, John D'Angelico, had passed away only 3 years prior, so...

James "Jimmy" D'Aquisto apprenticed under master luthier John D'Angelico in New York City starting in 1952, and eventually came to be considered on...

As many D'Aquisto guitars as Rudy has seen, owned, and sold in his almost 50 years in the guitar business, he's never seen one with a headstock dec...

In the year 1931, Epiphone introduced a full line of f-hole equipped archtop guitars to their catalogue called the "Masterbilt" series. Near the to...

We love getting these L-30's in, they have a great vintage sound and a tremendous value for their price. This example has a wonderful sound thanks ...

Often called the 'poor mans' L-5, the L-50 was actually quite different not only in cosmetics but for its 16" body with a carved spruce top matched...

The ES-300 was introduced in 1940 as the top-of-the-line model in Gibson's electric archtop range, and went through a number of design changes in i...

Rockabilly fans will be very happy with this one, a late '40s twang machine with the help of the Bigsby and two pickup option on this ES-330. The f...

Here is an excellent example of a '50s ES-150, that sounds absolutely amazing plugged in or acoustic. This guitar is in great shape and nearly all ...

The L-4C was introduced in 1949 right alongside its much more popular cousin, the ES-175, and has much in common with its electrified relative, nam...

A far more rare and often overlooked model, the ES-225 is special for its hybrid jazz/rock approach, combining the best of both worlds to create a ...

One of Gibson's flagship guitars, the L-5 has been found in the hands of greats like Wes Montgomery, and its 17" body and solid spruce top make it ...

The king of archtops, the L-5 has been used on countless gigs and recording sessions, known for its carved spruce top, 17" comfy shape and crisp an...

A well-known model, this '64 6119 model is a fully hollow but closed design, with added painted f-holes intended to cut back on feedback. The origi...