Archtop

Robert Benedetto has been building world class archtop guitars since 1969, and has outlasted the majority of competition to become one of the most ...

A exquisite Buscarino from 1995, a nice comfortable 17" lower bout in blonde, this model features a handcarved solid Sitka spruce top with all-soli...

This guitar was built by master luthier Otto D'Ambrosio. With over 30 years of experience building independently, he is now crafting a high-end lin...

This is an incredible piece of guitar history: a 1936 D'Angelico Excel, built by John D'Angelico himself. Like the later New Yorkers, the Excel fea...

The D'Angelico New Yorker is an historic piece of guitar designed, conceived and built by master luthier John D'Angelico, a native of New York who ...

Adding to our collection of incredible D'Angelico guitars we're so excited to share, is this gorgeous 1949 New Yorker, and it's one of the most aco...

This is an incredible piece of guitar history: a 1950 D'Angelico New Yorker, built by John D'Angelico himself. The New Yorker features Art Deco st...

Here is an incredible example of guitar history- a 1957 D'Angelico New Yorker, built by John himself. A native New Yorker, John built guitars feat...

James "Jimmy" D'Aquisto apprenticed under master luthier John D'Angelico in New York City starting in 1952, and eventually came to be considered on...

Jimmy D'Aquisto, one of the most respected guitar makers of all time, has had a lasting impact on the world of Jazz guitar that has far exceeded hi...

As well as creating some of the world's most highly regarded hand carved, all solid, archtop guitars, James D'Aquisto also made a number of partial...

In the year 1931, Epiphone introduced a full line of f-hole equipped archtop guitars to their catalogue called the "Masterbilt" series. Near the to...

We love getting these L-30's in, they have a great vintage sound and a tremendous value for their price. This example has a wonderful sound thanks ...

The often overlooked brother of the L-5, the Gibson L-7 model has much of the same sound minus some of the frills. The solid, carved spruce top mix...

Often called the 'poor mans' L-5, the L-50 was actually quite different not only in cosmetics but for its 16" body with a carved spruce top matched...

The ES-300 was introduced in 1940 as the top-of-the-line model in Gibson's electric archtop range, and went through a number of design changes in i...

The perfect jazzbox, the ES-125 is an all time classic, simple with a 16" non-cutaway design and a single P-90 pickup in the neck. Originally relea...

How much cooler could this guitar get? A Gibson L-5C, this fully acoustic guitar is made more modern with a sleek cutaway. It has a beautiful sound...

One of Gibson's most celebrated models, this ES-175 surely lives up to that reputation. The original sunburst finish is in good condition consideri...

The L-4C was introduced in 1949 right alongside its much more popular cousin, the ES-175, and has much in common with its electrified relative, nam...

Arguably the most popular jazz archtop of all time, the ES-175 is as iconic as it is a perfectly designed instrument. The 16", fully hollow laminat...

One of the lesser known ES models, the ES-140 3/4 is a nice short scale fully hollow Gibson with a beautiful sounding P-90. This particular example...

A far more rare and often overlooked model, the ES-225 is special for its hybrid jazz/rock approach, combining the best of both worlds to create a ...

Easily on the rarest guitars to come in in recent memory, this 1958 Gibson Byrdland is next level cool. A handcarved spruce top with a carved figur...